Early in his career, both before and after fighting in the Franco-Prussian War, Redon worked almost exclusively in charcoal and lithography, works known as his noirs. He gained recognition after his drawings were mentioned in the 1884 novel À rebours (Against Nature) by Joris-Karl Huysmans. During the 1890s, Redon began working in pastel and oil, which quickly became his favorite medium, abandoning his previous style of noirs completely after 1900. He developed a keen interest in Hindu and Buddhist religion and culture, which increasingly showed in his work.
https://en.wikipedia.org/wiki/Odilon_Redon
Spider (Araignée)
1887
Lithograph with chine appliqué
28 x 21.7 cm
MoMA
https://www.moma.org/collection/works/68127






