Hendrick Gerritsz. Pot
(c. 1580 – 15 October 1657)

Hendrik Gerritsz Pot was a Dutch Golden Age painter, who lived and painted in Haarlem, where he was an officer of the militia, or schutterij. Dutch artist Frans Hals painted Pot in militia sash in Hals' The Officers of the St Adrian Militia Company in 1633. Pot is the man reading a book on the far right. Pot was probably a pupil of Karel van Mander, as was Hals, and they influenced each other. Pot’s paintings were sometimes allegorical in subject and he also painted group schutterstuk portraits, such as The Officers of the St Adrian Militia Company in 1630. He was also influenced by painter and engraver Willem Buytewech.

https://en.wikipedia.org/wiki/Hendrik_Gerritsz_Pot

Portrait of Charles I
1632 
Oil on wood
33 x 51 cm
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010064368

 Jan de Bray
(c. 1627 – April 4, 1697)

 

Jan de Bray  was a Dutch Golden Age painter. He lived and worked in Haarlem until the age of 60, when he went bankrupt and moved to Amsterdam.
Jan de Bray was influenced by his father Salomon de Bray, and the portraitists Bartholomeus van der Helst, and Frans Hals. De Bray's works are mainly portraits, often of groups, and history paintings. He specialised in combining the two genres in the portrait historié, portraits of historical figures using contemporary figures, including himself and his family. Among his finest works are two versions of the Banquet of Cleopatra, using his own family, including himself, as models (Royal Collection, 1652, and Currier Museum of Art, New Hampshire, 1669). The second version has great pathos, as most of those depicted had died in the plague of 1663–4.

https://en.wikipedia.org/wiki/Jan_de_Bray

Portrait of Gilbert de Flines
1658 
Oil on wood
67 x 55 cm
The Louvre, Paris
https://collections.louvre.fr/en/ark:/53355/cl010059124

Juan Bautista Martinez del Mazo
(c.1612 – February 10, 1667)

Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.

https://en.wikipedia.org/wiki/Juan_Bautista_Martínez_del_Mazo

Portrait of a Woman
c. 1655-1660
Oil on canvas 
154 x 126 cm
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010059833 

 Henry Raeburn
(4 March - 8July 1823)
 

 Sir Henry Raeburn was a Scottish portrait painter. He served as Portrait Painter to King George IV in Scotland. 

Https://en.wikipedia.org/wiki/ Henry_Raeburn

Portrait of an unknown man
c. 1800 
Oil on canvas
76 x 99 cm
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010059904

 Hyacinthe Rigaud
 (18 July 1659 – 29 December 1743)

 

Jacint Rigau-Ros i Serra known in French as Hyacinthe Rigaud, was a French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.

 
https://en.wikipedia.org/wiki/Hyacinthe_Rigaud

 

Madame Rigaud in Two Different Poses
1695
Oil on canvas
83 x 103 cm
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010062532

 Jean-Baptiste-Camille Corot 
(16 July 1796– 22 February 1875)

Jean-Baptiste-Camille Corot or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the neoclassical tradition and anticipated the plein-air innovations of Impressionism.

https://en.wikipedia.org/wiki/Jean-Baptiste-Camille_Corot

La femme à la perle
c. 1869
Oil on canvas
70 x 55 cm 
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010059135

 Jean-Honoré Fragonard
(5 April 1732 – 22 August 1806)

Jean-Honoré Fragonard was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism.

L'Étude, dit aussi parfois Le Chant. 

(“Studying” also called “the singing” )
c. 1750
Oil on canvas
82 x 105 cm
The Louvre, Paris
https://collections.louvre.fr/ark:/53355/cl010059524