Antonio Muñoz Degrain
(1840 - 1924)
(1840 - 1924)
Antonio Muñoz Degrain was a Spanish painter who began in the Eclectic style, later in his career he moved towards Impressionism. He is best known for his landscapes and scenes inspired by works of literature.
https://en.wikipedia.org/wiki/Antonio_Muñoz_Degrain
https://en.wikipedia.org/wiki/Antonio_Muñoz_Degrain
Otelo e Desdémona
1880
Oil on canvas
272 x 367 cm
Chiado Museum (Museu Nacional de Arte Contemporânea do Chiado), Lisbon
https://en.wikipedia.org/wiki/National_Museum_of_Contemporary_Art_(Portugal)
1880
Oil on canvas
272 x 367 cm
Chiado Museum (Museu Nacional de Arte Contemporânea do Chiado), Lisbon
https://en.wikipedia.org/wiki/National_Museum_of_Contemporary_Art_(Portugal)
William Holman Hunt
(1663 - 1730)
William Holman Hunt OM (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works.
https://en.wikipedia.org/wiki/William_Holman_Hunt
The model for Bianca was an American girl named Miss Lydiard: ‘a very beautiful fair American girl’ according to Hunt.
Depicts Bianca, a character from Shakespeare’s Othello. She is Cassio’s jealous lover. Bianca plays a significant role in the progress of Iago’s scheme to incite Othello’s jealousy of Cassio. Traditionally regarded as a courtesan, Bianca was occasionally cut from performances in the 19th century on moral grounds.
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