Édouard Manet
(1832 - 1883)
 

The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for Olympia and the Luncheon on the Grass, among other paintings by Manet. It was exhibited at the Paris Salon in 1874 and donated to the National Gallery of Art in Washington, D.C. in 1956. 

Instead of choosing the traditional natural view as background for an outdoor scene, Manet opted for the iron grating which "stretches across the canvas." The only evidence of the train is its white cloud of steam. Modern apartment buildings can be seen in the background – including the house on the Rue de Saint-Pétersbourg [fr], near the Place de l'Europe [fr], where Manet had rented a studio since July 1872 — and also a signal box and the Pont de l'Europe. 

Historian Isabelle Dervaux has described the reception this painting received when it was first exhibited at the official Paris Salon of 1874: "Visitors and critics found its subject baffling, its composition incoherent, and its execution sketchy. Caricaturists ridiculed Manet's picture, in which only a few recognized the symbol of modernity that it has become today".

https://en.wikipedia.org/wiki/The_Railway

The Railway
1873
Oil on canvas
93,3 x 111.5 cm
National Gallery of Art, Washington, D.C.
https://www.nga.gov/artworks/43624-railway